o que já cá está — Bernardo Chatillon
April 4 - April 16
o que já cá está — Bernardo Chatillon
o que já cá está (what is already here) consists in an idea of creating a series of narratives of the constitution of the Self. They are stories of the formation of my character, formation of who I am. What the stories that make up this series have in common is a meta-History that dismantles and reveals the very mechanism of making the impossible possible: the past with the present, the visible with the invisible, the known with the unknown, all in the atmosphere of the present. where something is being revealed, something that is of the order of forces. The text is a pretext, a kind of History-Portal that transfigures the present moment into a post-text dance of access to the direct experience of the worlds that are already here.
About Bernardo Chatillon
Bernardo Chatillon intends to imagine new worlds, posing the hypothesis of relating to spaces that are obstructed, camouflaged, illegible, ignored, invisible. with the concept of Magical Thinking applied to the theatrical dimension.
He debuted with Artistas Unidos. After completing Chapitô, he joined the Accompanied Intensive Training at c.e.m and later at the Escola Superior de Teatro e Cinema. Between 2012 and 2015 he was part of the casting of the company of Teatro Nacional D. Maria II. In 2016 he moves to Berlin where he collaborates in different formats and projects through artistic practices, meetings and shows with Marc Lohr, Sigal Zouk, Mineral Wasser Kolective, Peter Pleyer, Stephanie Mahler, Jeremy Wade, Benoilt Lachambre, Keith Hennessy, Joy Mariama Smith, Meg Stuart, Sandra Noeth, among others, and completes the Master’s Solo/Dance/Authorship (SODA) by the Inter-University Center for Dance Berlin (HZT/UDK). Recently, he created the shows Reindeer Age #0 (2019), Reindeer Age #1 (2021), o fazer do dizer (2022).